That’s Georg Jensen CEO David Chu watching as Murray explains it all to tout London design bigwigs at the Zaha designed Sackler Gallery at the Serpentine. Following his talk, there was a formal dinner, where the diners used ACTUAL JENSEN FLATWARE and other silver masterpieces. Yes, it’s true. The book, Georg Jensen Reflections, continues to receive glowing reviews, more of which tomorrow. For today, click on Murray’s glasses to see more pics of the night on the Jensen Twitter page.
Posted in David Chu, Design, Georg Jensen, Georg Jensen Reflections, Moss Bureau, Murray Moss, Opening nights
Tagged Georg Jensen, Georg Jensen Reflections, London, Murray Moss, Sackler Gallery, Serpentine
Despite going head to head with the Cooper Hewitt Design Awards gala Thursday night, there was still a crowd of shining silver luminaries at the apartment for the official launch of Georg Jensen Reflections, Murray’s new book. David Chu, Jensen CEO, hosted. That’s him with Murray in the first pic. These thumbnails are from the website of Billy Farrell, the indefatigable photographer who covered the event as if it were the G8 Summit. Lots of great shots. And, the book? Also great. Click on the title and fly away to Amazon to get your own copy. And, if you click on any of the thumbs above, you’ll go to Billy’s site, where those of you truly obsessed with Jensen, or Murray, or David Chu, can buy the photos.
Posted in 2014, Big News, Design, design art, Georg Jensen, Georg Jensen Reflections, Murray Moss, Opening nights
Tagged David Chu, Georg Jensen, Georg Jensen Reflections, Murray Moss
Big story today online and in print on how TERTIUM QUID came to be. Click the pic to read the full story AND remember the exhibition of the photos in the book opens TONIGHT at EDELMAN ARTS 136 East 74th Street.
A second exhibition of a “third thing”. You don’t have any idea what we’re talking about, do you? Just click on the revolver and all will be made clear. We’re not kidding. Click on the revolver. Or else.
Posted in Edelman Arts, Moss Bureau, Moss Bureau Exhibition, Murray Moss, Opening nights, TERTIUM QUID
Tagged august editions, Edelman Arts, Moss Bureau, Murray Moss, press photography, tertium quid
What a day. I don’t know about you but we’re exhausted. VIP preview tonight at Collective 2, and then Tertium Quid booksigning on Monday. Whew. Click on the pic to go there.
Posted in 2014, Behind the Bloss, Design, Franklin Getchell, Installations, Moss Bureau, Murray Moss, Opening nights, Uncategorized
Tagged Collective 2, Franklin Getchell, Moss Bureau, Murray Moss
There’s a big 3-D printing conference in Pittsburgh (called RAPID 2013) coming up and Murray has curated an installation for Materialise Belgium which will be the Conference opening night event. It’s at the Andy Warhol Museum and you can’t go. Because it’s only for Conference attendees. Sorry. It’s really really too bad you can’t go because it’s going to be groundbreaking and very cool. For instance, this red bust is of London milliner extraordinaire Stephen Jones, and it’s one of four, different colors, one for each of four continents, and it’s an example of how amazing the resolution of 3-D printing can be now. And look at the pedestal–this is the first time one has been printed without internal support. You probably don’t know why this is such an innovation, but then, what do you know? You can’t even go to the installation. Click here for more info on the installation and RAPID 2013. Click the photo, then enlarge to see how unbelievable the resolution can be now.
Posted in 3-D printing, Big News, design art, Installations, Moss Bureau, Murray Moss, Opening nights, Prostitutes, Ripped from the headlines
Tagged 3D printing, Materialise Belgium, Moss Bureau, Murray Moss, Pittsburgh, RAPID 2013, Stephen Jones, Warhol Museum
They’re nice enough, I suppose, for paint on canvas. And naked is always good, of course, though doesn’t it sort of cheapen the whole effort? I don’t know. I guess I was expecting more.
Well, now we’re cooking. Do you know how hard it is to get aluminum to do this? It’s practically impossible. This is what you want dancers to be. Graceful, elegant, oversized, empty, and able to cut you if you get too close.
This vote isn’t even close.
Posted in design art, Installations, Moss Artists, Moss Bureau, Moss Bureau Exhibition, Murray Moss, Opening nights
Tagged computational protocols, dancers, Franklin Getchell, Les Danseurs du Tailor, Marc Fornes, Matisse, MoMA, Moss Bureau, Murray Moss
It’s safe to say you have seen NOTHING like this. Even at the famous fabulous fucking FRIEZE. Next reception: a Matinee on Tuesday May 14 3pm to 5pm. Don’t be the only one not to have seen it. You know how you get.
Posted in design art, Franklin Getchell, mimes, Moss Artists, Moss Bureau, Moss Bureau Exhibition, Murray Moss, Opening nights
Tagged aluminum dancers, computational protocols, Franklin Getchell, Marc Fornes, Moss Bureau, Murray Moss
Three (count’em) three artist receptions: Saturday (11th), 6 to 8, Tuesday (14th) 3 to 5, Friday (17th) 6 to 8. Come meet the Danseurs. And just to clarify, there is NO PERFORMANCE. This is an installation. A wonderful installation. If we say so ourselves.
Click on the invite for more info. Then pick a day and come on down. Email to firstname.lastname@example.org to let us know you’re coming.
Posted in Big News, Franklin Getchell, Installations, Moss Bureau, Moss Bureau Exhibition, Murray Moss, Opening nights
Tagged computational protocols, Franklin Getchell, Marc Fornes, Moss Bureau, Murray Moss